On FU Criticism in Yong Ming Period

LENG Wei-guo

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On FU Criticism in Yong Ming Period

更新时间：2022-01-13

- On FU Criticism in Yong Ming Period
- Journal of University of Jinan(Social Science Edition) Issue 6, Pages: 43-47(2007)
- 作者机构：
  
  中国海洋大学文学与新闻传播学院山东青岛1266071
- 作者简介：
- 基金信息：
- DOI：
  CLC： I207.22
- Published：2007，
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[1]冷卫国.论永明时期的赋学批评[J].济南大学学报(社会科学版),2007,{4}(06):43-47+89-90.

LENG Wei-guo. On FU Criticism in Yong Ming Period. [J]. Journal of University of Jinan(Social Science Edition) (6):43-47(2007)
[1]冷卫国.论永明时期的赋学批评[J].济南大学学报(社会科学版),2007,{4}(06):43-47+89-90. DOI：

LENG Wei-guo. On FU Criticism in Yong Ming Period. [J]. Journal of University of Jinan(Social Science Edition) (6):43-47(2007) DOI：

摘要

永明时期

是赋学批评史上的一个重要时期。江淹复中有变的辞赋观与其拟古而不泥于古的创作倾向完全一致;谢月兆所谓的"欲申之赋颂

得尽体物之旨"

则体现了陆机"赋体物而浏亮"这一说法的深远影响;而沈约的声律说及其对"文体三变"的总结

则集中体现了永明时代的文学观念。

Abstract

Literary writing and thought in Yong Ming period developed around the idea of "using the four tones for seeking new changes".Theory of rhythm was the most distinct trait of literary thought in Yong Ming period

"The natural rhythm"in chinese literature began to be "artificial rhythm".Jiangyan’s FU criticism idea was combined with his writing

but Xietiao embraced Luji’s FU criticism idea.Shenyue’s FU criticism idea embodied the literary spirit of Yong Ming period.

关键词

江淹沈约谢月兆声律赋学批评

Keywords

江淹沈约谢月兆声律赋学批评

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