In almost Mo Yan’s novels

there are outstanding female characters with strong personality. Corresponded with Mo Yan’s narrative style which is binary opposition and multiplex symbiosis of deconstruction and construction to history and obvious criticism and metaphorical satire to reality

these female characters are unique in literature history. They are suppressed "second sex" in defective system

national conflict

class oppression

unhealthy culture or gender discrimination context. They are in different social environment with various identities and status. They are victims of some kind of epoch tragedy

defective system

or emotional strain. They suffer from tragic destiny. However

in the the progress of novel narration

these female characters are undergoing surprising spiritual awakening and behavioral revolution. They are motivated by yearn for life

pursuing to subject value of life and pure desire to love as human beings

or material temptation or emotional responsibility

and realize spiritual awakening passively. They fight for self-liberation. Firm and persistent

rebellious and free

untrammelled and cheerful

they have different destiny and conclusion. All in all

they reflect Mo Yan’s try to interpret history

describe spirit of the time

criticize social ills and express humanistic care through female characters. Meanwhile

this narration try also provide new

life-like female characters with distinct personality for modern literature.