As Lu Jiuyuan’s excellent disciple

Yang Jian plays a very important role in the inheritance and development of Heart-ology. He observes and perceives all natural things from the perspective of Heart-ology

and carries out literary creation in the context of Heart-ology. Yang Jian's literary works can be regarded as an artistic description of his philosophical thoughts. He presents the most important concept of the original mind in his ideological system to the readers with his flexible and changeable brush and ink

trying to show the illusory magic and many magical functions of the original mind. Yang Jian's literary language is also affected by the empty spirit of the original mind. However

it is precisely because he scrutinizes the external objects strictly from the perspective of Heart-ology

and repeatedly describes the original mind

shows its reflection and the realm of happiness in literature that his Ci-fu also have a tendency of homogenization. At the same time

some defects in his academic thought caused the "split" in his literary creation: his Dongshan Fu

Nanyuan Fu

Yue Fu and Wayue Fu can be generally divided into two parts with great differences: the incisive and vivid depiction of the images and the characteristics of the original mind

the dullness

arbitrariness

ethical preaching and moral accusation when they fall into the specific functions and artistic evaluation; the delicate perception of the natural mechanism and natural vitality and Almost the same praise of the original mind and the realm of peace and happiness. Yang Jian dominates literary creation with Heart-ology. His fixed writing mode reflects the connotation of his philosophical thought. His academic thought system determines why his literary creations are presented in such a way.